{"id":679,"date":"2022-09-06T14:30:10","date_gmt":"2022-09-06T14:30:10","guid":{"rendered":"http:\/\/tempsdememoria.mac.cat\/crear\/"},"modified":"2024-01-25T12:29:03","modified_gmt":"2024-01-25T12:29:03","slug":"creer","status":"publish","type":"page","link":"http:\/\/tempsdememoria.mac.cat\/fr\/exposition\/creer\/","title":{"rendered":"Cr\u00e9er"},"content":{"rendered":"

Depuis la Pr\u00e9histoire, les \u00e9vidences mat\u00e9rielles associ\u00e9es aux pratiques ou doctrines religieuses \u00e9taient des \u00e9l\u00e9ments qui\u00a0 v\u00e9hiculaient les relations entre les \u00eatres humains et les \u00eatres sup\u00e9rieurs ou divinit\u00e9s. Dans le monde classique, les actes associ\u00e9s \u00e0 la religion publique exigeant aussi l\u2019engagement des citoyens \u00e0 la participation des c\u00e9r\u00e9monies de caract\u00e8re civique \u00e9taient men\u00e9s \u00e0 bien dans des espaces publics destin\u00e9s \u00e0 cette fin comme maintenant les sanctuaires ou les temples. Ils \u00e9taient en m\u00eame temps un \u00e9l\u00e9ment d\u00e9finissant l\u2019identit\u00e9 collective. Nous avons connaissance d\u2019autres pratiques relatives au cadre plus personnel et familial avec des valeurs morales et \u00e9thiques par lesquelles on pr\u00e9tendait obtenir un bien-\u00eatre individuel. Ces deux aspects, public et priv\u00e9, \u00e9taient li\u00e9s \u00e0 des concepts et des d\u00e9sirs plus profonds de pl\u00e9nitude et de d\u00e9passement li\u00e9s \u00e0 l\u2019art et \u00e0 l\u2019expression artistique.<\/p>\n\r\n

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Poisson<\/h3>\r\n\r\n

Os<\/p>\r\n\r\n

IVe-Ve si\u00e8cle ap. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Lampe \u00e0 huile<\/h3>\r\n\r\n

C\u00e9ramique<\/p>\r\n\r\n

Ier si\u00e8cle ap. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Br\u00fble-parfum<\/h3>\r\n\r\n

Terre cuite<\/p>\r\n\r\n

IIIe si\u00e8cle av. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Bucrane<\/h3>\r\n\r\n

Bronze<\/p>\r\n\r\n

Ier si\u00e8cle ap. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Alabastre<\/h3>\r\n\r\n

C\u00e9ramique attique \u00e0 figures noires<\/p>\r\n\r\n

Ve si\u00e8cle av. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Sifflet<\/h3>\r\n\r\n

Os<\/p>\r\n\r\n

Ier-IIe si\u00e8cle ap. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Amulette phallique<\/h3>\r\n\r\n

Bronze<\/p>\r\n\r\n

Ier-IIe si\u00e8cle ap. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Pierre d’dautel<\/h3>\r\n\r\n

Marbre<\/p>\r\n\r\n

IIIe-IIe si\u00e8lce av. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Mosa\u00efque<\/h3>\r\n\r\n

Tesselles en pierre m\u00eal\u00e9es au mortier<\/p>\r\n\r\n

IIIe si\u00e8cle ap. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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T\u00eate de lion<\/h3>\r\n\r\n

Marbre<\/p>\r\n\r\n

XII<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n

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Askos \u00e0 t\u00eate d’Ach\u00e9l\u00f4os<\/h3>\r\n\r\n

C\u00e9ramique<\/p>\r\n\r\n

IIIe si\u00e8cle av. J-C<\/p>\r\n\r\n <\/a>\r\n\r\n <\/div>\r\n\r\n <\/div>\r\n\r\n \r\n <\/div>\r\n\r\n \r\n\r\n

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Expressions artistiques<\/strong><\/p>\n

Le processus cr\u00e9atif r\u00e9pond au besoin humain d\u2019exprimer une \u00e9motion ou une id\u00e9e \u00e0 partir de la capacit\u00e9 d\u2019abstraction de celle-ci et de sa repr\u00e9sentation formelle ou mat\u00e9rielle. \u00c0 travers diff\u00e9rentes expressions artistiques (peinture, sculpture, c\u00e9ramique, etc.), les \u00eatres humains ont laiss\u00e9 des t\u00e9moignages de caract\u00e9ristiques propres aux diff\u00e9rentes cultures qu\u2019ils ont fa\u00e7onn\u00e9es.<\/p>\n

Croyances<\/strong><\/p>\n

Mythologie, religion et superstition\u00a0: recherche d\u2019explications aux grands myst\u00e8res de la vie et de la mort\u00a0; expression publique et priv\u00e9e des croyances\u00a0; propitiation de la bonne fortune pour affronter les peurs les plus intimes et personnelles.<\/p>\n